Moriyama, Brancusi, Billy Purefoy in the theatre Bouffes du Nord, Le 6ieme Continent, all rolled in one Saturday on 10 November 2012.
Moriyama - Polka Gallery |
Brancusi |
After the show - with Billy in theatre des Bouffes du Nord |
Getting back, mostly dry (I had selfishly hogged the mini umbrella, but after all I had been carrying it all day), we put a little bit of effort into 'the looks'. Mainly it meant changing into smarter shoes. Re-discovered black spiky boots felt very appropriate for an evening out in Paris. The metro delivered us to the road we had to walk along to reach our destination. It felt a bit like little India, silken saris, glitter and food places. Overtaking an endless row of cars stuck in a traffic jam which occasionally broke out into helpless hooting concerts heightened the joy of moving on foot towards our destination, the Theatre des Bouffes du Nord. We arrived far too early, and had plenty of time to spend in the theatre restaurant, with good food and a bottle of red. It seemed very sudden when the place filled up with people. As it happens, time flies when the times are good. And then, finally, our entry into the theatre, which turned out to be spectacular. A place from another era, unearthed rather than restored. I just loved it. Subtle colours, darkish red and brown. It's an old theatre, a discovery, unreconstructed in the best sense of the word. A compact space for the audience, arranged in a half circle around the large stage.
Wikipedia article link: http://en.wikipedia.org/wiki/Th%C3%A9%C3%A2tre_des_Bouffes_du_Nord
The 6th Continent was interesting, with a brilliant screenplay, and despite not understanding French I managed to make sense of what was going on. Despite better knowledge and hopeful aspirations corruption takes over and smothers the planet in plastic rubbish. That's it in one sentence, which - of course - doesn't do the play justice. But it's really short.
Description on theatre website:
"Small streams make great rivers and all rivers flow into the sea. But the beauty of fluid mechanics turns into a nightmare when we know rivers transport with their shameful foam our daily trash. Glued together by sea currents, all this rubbish soon joins in the middle of the Pacific Ocean, an immense floating dump which is already the size of a continent.
Using ecological facts to denounce the existence of this 6th Continent testifying of our scandalous inconsequence, Swiss director, Lilo Baur, uses the metaphor of a man who sees himself robbed, one after the other, of his social attributes to become a naked monkey reigning over the chaos of a world transformed into a mound of garbage.
Humorously punctuated by Daniel Pennac’s text which pin with cutting irony our guilty incapacity to respect the planet, Lilo Baur’s show transforms this huge historical migration of waste into a joyful opera bouffa served by a theater company, without boundaries, made of actors who are also dancers and singers."
Note: I found both names of the guys at Polka Gallery: Jean-Kenta Gauthier (owner) and Ethan Levitas (photographer)!
And I do need to mention, last but not least, Niki de Saint Phalle:
And I do need to mention, last but not least, Niki de Saint Phalle:
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